Thursday, August 8, 2013

Exclusive: Dream Theater’s James LaBrie Premieres New Solo Album, Impermanent Resonance Sammi Chichester | Aug 06, 2013

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Dream Theater vocalist James LaBrie released his third solo album, Impermanent Resonance, today, and he has teamed with Revolver to premiere the full record right here right now.
LaBrie says of the album, “To me, this album incorporates and continues with the styles and musical direction that we have created with the previous releases. The difference being that the music on this disc is to me a true telling of the songs evolving and taking on a sense of identity that is every band’s ultimate goal. It is powerful, memorable, hook-driven and above all extremely musical. It shows how the writing and the band itself have matured. I truly feel that this is our quintessential album.”
Impermanent Resonance is available right here. For more on James LaBrie, visit

Guitar World Girls: Emily Bondy Posted 08/06/2013 at 2:48pm | by Guitar World 2


Emily is the latest addition to our Girls of Guitar World Gallery.
Photos by Glenn Fricker, www.spectremedia.ca

If you think you have what it takes to be a Guitar World Girl, simply email photos of yourself with a guitar to modelsearch@guitarworld.com!

Greatest Guitar Solos of All Time Readers Poll: Sweet 16 — "One" (Kirk Hammett) Vs. "While My Guitar Gently Weeps" (Eric Clapton) Posted 08/07/2013 at 6:09am | by Guitar World Staff

Winner: "While My Guitar Gently Weeps" (53.35 percent)

Loser: "One" (46.65 percent)

A few years ago, the editors of Guitar World magazine compiled what we feel is the ultimate guide to the 100 Greatest Guitar Solos of All Time.
The list, which has been quoted by countless artists, websites and publications around the world, starts with Richie Sambora's work on Bon Jovi's “Wanted Dead or Alive” (100) and builds to a truly epic finish with Jimmy Page's solo on "Stairway to Heaven" (01).
To quote our "Stairway to Heaven" story that ran with the list, "If Jimmy Page is the Steven Spielberg of guitarists, then 'Stairway' is his Close Encounters."
On June 10, we kicked off a summer blockbuster of our own — a no-holds-barred six-string shootout. We pitted Guitar World's top 64 guitar solos against each other in an NCAA-style, 64-team single-elimination tournament. Every day, we asked you to cast your vote in a different guitar-solo matchup as dictated by the 64-team-style bracket. Now Rounds 1 and 2 have come and gone, leaving us with 16 guitar solos and eight matchups.
So ...
WELCOME TO THE SWEET 16 ROUND, where all 16 still-standing solos will go head to head before your eyes! As always, you can vote only once per matchup, and the voting ends as soon as the next matchup is posted.
In some cases (like today), genre will clash against genre; a thrash solo might compete against a Southern rock solo. But please get real: They're all guitar solos, played on guitars, by guitarists, most of them in some subset of the umbrella genre of rock. When choosing, it might have to come down to, "Which solo is more original and creative? Which is more iconic or important? or Which one kicks a larger, more impressive assemblage of asses?"
Results of the Final Round 2 Matchup from July 30
Winner: "Eruption" (78.99 percent)
Loser: "Stranglehold" (21.01 percent)


The Sweet 16 Round Begins (Matchup 1 of 8)
"One" Vs. "While My Guitar Gently Weeps"
How fitting it is that a song titled "One" is part of our very first Sweet 16 matchup. Yes, Metallica's "One" (07), featuring a guitar solo by Kirk Hammett, is squaring off against the Beatles' "While My Guitar Gently Weeps" (42), which features a solo by Eric Clapton. Although Jimmy Page alone is responsible for four guitar solos in our Sweet 16 group, "One" is Metallica's only Sweet 16 guitar solo (including both Hammett and James Hetfield) and "While My Guitar Gently Weeps" is Clapton's only Sweet 16 guitar solo.
HOW THEY GOT HERE
"One" defeated Clapton's "Cocaine" (58) in Round 1 and Neil Young's "Cortez the Killer" (39) in Round 2.
"While My Guitar Gently Weeps" defeated Rage Against the Machine's "Bulls on Parade" (23) in Round 1 and Joe Satriani's "Satch Boogie" (55) in Round 2.
Get busy! You'll find the poll at the very bottom of the story.
07. “One”
Soloist: Kirk Hammett
Album: Metallica—…And Justice for All (Elektra, 1988)
“I had a very clear idea of where I wanted to go with my guitar playing on …And Justice for All,” recalls Kirk Hammett. “Unfortunately we didn’t have enough time for me to fully execute my ideas.
“We worked on basic tracks for six or seven months, and then I only had eight or nine days to record all my leads because we were heading out on the Monsters of Rock tour [with Van Halen, Scorpions, Dokken and Kingdom Come]. To get that done, I had to do incredibly long, grueling days—like 20 hours at a pop—and it took so much out of me. As soon as I finished one solo, I had to do the next one. There was no time to breathe, as the whole vibe was to do it the best you could and keep moving. It was a pretty frustrating experience, to be honest.”
Despite these frustrations, Hammett was immediately pleased with most of his work on “One,” which featured three very different solos. “The first solo and the last solo were completely worked out in advance because I had been playing them for months,” recalls Hammett. “So in those cases it was just a matter of fitting in tone-wise. I elected to use a clean sound in the intro solo, which was the first time we used that kind of sound. I dialed it up on an ADA preamp and, once we found the right sound, it just flowed.
"For the final solo, I used my conventional lead sound of the time. That one flowed quickly, too—once I worked out the intro right-hand tapping technique, a process I really enjoyed. I wanted a high energy intro that would be different from anything I had done in the past. So I got those two solos done quickly and was pleased with them. But the middle one just wasn’t happening.”
Ultimately, Hammett was so displeased with the results of his second solo that he returned to the studio in the midst of the Monsters of Rock tour—spending a day at New York’s Hit Factory with producer Ed Stasium. “I redid the entire second half of the second solo and worked to make it all fit in,” Hammett recalls. “It was better, although I was never totally satisfied with it. I guess I did a good enough job.”
Apparently so. The song would soon become Metallica’s first legitimate radio and MTV hit, its solos firmly established as Hammett signature licks.

42. "While My Guitar Gently Weeps”
Soloist: Eric Clapton
Album: The Beatles—The Beatles (Apple, 1968)
“When we actually started recording this, it was just me playing the acoustic guitar and singing it, and nobody was interested,” recalls the song’s author, George Harrison. “Well, Ringo probably was, but John and Paul weren’t. When I went home that night, I was really disappointed because I thought, Well, this is really quite a good song; it’s not as if it’s crap!
"And the next day I happened to drive back into London with Eric [Clapton], and I suddenly said, ‘Why don’t you come play on this track?’ And he said, ‘Oh, I couldn’t do that; the others wouldn’t like it…’ But I finally said, ‘Well, damn, it’s my song, and I’d like you to come down.’ So he did, and everybody was good as gold because he was there.
"I sang it with the acoustic guitar with Paul on piano, and Eric and Ringo. Later, Paul overdubbed bass. Then we listened back to it and Eric said, ‘Ah, there’s a problem, though; it’s not Beatlesy enough.’ So we put the song through the ADT [automatic double tracker] to wobble it a bit.”
[[ When you're done voting, start learning most of the guitar solos in this poll — and and a whole lot more! Check out a new TAB book from Guitar World and Hal Leonard: 'The 100 Greatest Guitar Solos of All Time: A Treasure Trove of Guitar Leads Transcribed Note-for-Note, Plus Song Notes for More Than 40 of the Best Solos.' It's available now at the Guitar World Online Store for $29.99. NOTE: Neil Young's "Cortez the Killer" guitar solo (solo number 39 on our list) is NOT included in this book. ]]

Voting Closed!


Cleartone Introduces Dave Mustaine Signature “Monster" Guitar Strings Posted 08/07/2013 at 9:37pm | by Guitar World Staff


California-based Cleartone has announced it will release Dave Mustaine Signature “Monster" guitar strings, a set of strings that pays tribute to the Megadeth frontman. The strings come as a .010-to-.052-gauge set.
"The first time I played Cleartone strings, I noticed a ton more volume," Mustaine said. "They were bright, felt solid and durable, but really loud. I really feel Cleartone strings are amazing. They are the best-sounding strings out there, which is why I use them exclusively on all my guitars."
From a Cleartone press release:
All Cleartone strings, including the heavy metal-centric Monster series, employ VolumeBOOST. According to an independent sound lab, VolumeBOOST gives Cleartone strings up to 36 percent more loudness compared to uncoated strings.
In addition to VolumeBOOST, all Cleartone strings also include ToneLOCK technology. With ToneLOCK, Mustaine's strings last three to five times longer than other non-coated strings. Because the coating is less than one micron thin, Cleartone Monster strings don’t shred or peel or suffer from the “feel” issues associated with other coated strings.
“I didn't even know they were treated until I realized how long they were on the guitar," Mustaine added. "They last much longer than other strings I’ve used.” And unlike other coated strings, the Cleartone treatment is applied to all six strings, including the unwound ones.
Mustaine used Cleartone Monster strings exclusively on Megadeth’s newest album, Super Collider. He’s using them throughout the Gigantour heavy metal music fest, which Megadeth headlines. It also features Black Label Society and Death Division.
The Cleartone Monster Mustaine .010-to-.052 set will have a US MSRP of $19 and a US street price of around $12.99 per set.
Cleartone Monster strings are owned by Phil Everly of the Everly Brothers, and the company is run by his son, Jason Everly. Cleartone manufactures strings in its Burbank, California, production facility. In addition to Cleartone and Monster, Everly owns the B-52s brand of un-coated alloy-52 strings, Red copper-bronze acoustic guitar strings and Sevilla classical guitar strings.
For more about Cleartone, visit cleartonestrings.com.

Video: Sunset Strip Music Festival 2013 Honors Rock Legend Joan Jett emoneill | Aug 05, 2013 | 0 Comments and 0 Reactions | Tags: Joan Jett



The Sunset Strip Music Festival took place August 1 to 3 in Los Angeles, and Revolver TV was there to catch the action.
Kicking off the three-day music festival, the 2013 SSMF Honoree Joan Jett was presented with an exclusive VIP event August 1 at the House of Blues Sunset Strip to celebrate her career and legacy on the Strip. Since co-founding the pioneering all-girl punk quintet The Runaways at age 15, Jett has continued to be an originator, innovator, visionary — and a pivotal figure in the history of The Sunset Strip.
Check out the recap video below from the red carpet.

Add to the Birthday Sweetness With Marvelous Mini Cakes August 2, 2013


4 Tips For Dealing With a Sassy Child May 10, 2013 by Patricia-Anne Tom 15 1



Verbal defiance from a toddler who is just beginning to test limits is relatively easy to take in stride, but many parents are unnerved when bigger kids talk back. As Circle of Moms member Amanda P. shares, it's not only irritating, but downright disrespectful: "My 7-year-old thinks he can smartmouth us whenever he wants, and that it's fine for him to be disrespectful, especially to me."
Seeking suggestions from the Circle of Moms community, Amanda asks, "What do you guys use for a disrespectful child? I don't want to sit back and do nothing only [to see] this escalate into something bad. Any advice?"
First, take a deep breath so that you don't wind up arguing back, say our moms. Then, try these four tips for taming the sass.
1. Model and Explain Respectful Behavior
The first step in quieting a mouthy child is to teach respect. Because children learn by example, it's important for moms to model respectful behavior — with their children and with other adults. After all, a member named Kathy says, you can't expect your child to be courteous if you're not.
For Rebecca N. and a mom named Kat, teaching respect means showing it to your children first, by listening and then calmly and repeatedly explaining why the behavior is rude. Rebecca recommends attempting to empathize with your child and trying to find out what's bothering her to get at the root cause of the impolite behavior. But do not respond aggressively, Rebecca warns. If your child gets a rise out of you, it can reinforce the obnoxiousness.
"Be patient and try to explain your side rationally," Kat adds. "I guarantee that if you offer [your child] respect, she's more likely to return it."
Tara H. and Tammy V. both suggest showing your child how to rephrase rude remarks. For example, when her daughter says, "I'm not going to clean my room," Tammy instead teaches her daughter to say, "I don't want to clean my room because I'm too tired right now. May I please do it tomorrow?"
Assuming you have taught your child how to treat and talk to others respectfully, then in all likelihood your big kid knows that it's not nice to use a sassy tone or to say mean things. The best thing you can do when your child talks back is remind her who she is speaking to, talk with her, and allow her to talk to you, too, to make sure she understands why her behavior isn't acceptable, say moms Kandie K. and Kat P. "The point is to let her know that no matter how [she] feels about something, she needs to respect her parents and obey them," Kat says.
2. Give and Take Time-Outs
Past the preschool years, children may have trouble managing both their personalities and hormones. Sassiness sometimes results from built-up anger and frustrations, "and unfortunately, as parents, we often get the brunt of their frustrations," says Jennifer S. So if you find that anger is building, it helps to take a time-out. "I will tell [my children] that they've pushed me too far and I think we both need a break before we say things we shouldn't and make the situation worse," Jennifer says.
Taking a time-out and ignoring backtalk can often silence smart-mouthed remarks, because your child "will figure out real quick that sassing doesn't work when it doesn't get your attention or change the circumstances," Stefanie S. explains.
The important thing after tempers have cooled, however, is to quickly find the time to talk about the situation and make sure to listen to your children, Jennifer says. "Often, if I acknowledge my kid's frustrations/issues/feelings, it helps," Jennifer notes. Then use that calmer moment to firmly communicate that parents deserve respect and that there are consequences for impertinence.
Theresa D. agrees with this approach, noting that she gives time-outs when tempers flare and her daughter acts up. As a result, her daughter now knows that there are consequences for sassing and has learned that losing her temper gets her nowhere.
3. Offer Punishments and Rewards
To reinforce the notion that parents deserve respect, parents can use both carrots and sticks, say Circle of Moms members. When Sarah K.'s daughter is insolent, she loses privileges like being able to go out with friends or use the computer.
Similarly, a lack of respect from Jodi's 13-year-old son will lead to TV restrictions. And both Kathy B. and Abby C. ground their children. This usually translates into not being able to hang out with friends after school or skipping ballet practice.
Which privilege to remove depends on the particular child. The key to effectiveness, says Jodi, is to "find out your child's 'currency' — what is most valuable to him." For some it's a favorite hoodie, for others, access to the hair straightener.
Some moms prefer to offer rewards to encourage better behavior. Amy K. uses ice cream, books, and inexpensive toys.
4. Be Consistent and Patient
Regardless of your approach, your reinforcement of it must be consistent, Circle of Moms members advise. Once you start letting things slide, you'll start to see the return of smart-alecky behavior, warns Angelique G.
Barb S. echoes this point, noting both that your child needs to know that "every time he smarts off, this is what is going to happen" and also that being this consistent can be hard. The reason? You'll feel like a broken record, repeatedly redirecting disrespectful behavior. But as Linda J. recalls of her child's "snotty stage," standing your ground and hanging in for the ride will pay off: "My 14-year-old has gotten much better . . . We have to remember that they all go through a lot of stress changing from little kids to young adults."
Source: Shutterstock

Walking Papers [Best Buy Exclusive] [Digipak] - CD

  • Artist: Walking Papers
  • Release Date: 08/06/2013


Songs

  • 1. The Whole World's Watching
  • 2. Your Secret's Safe With Me
  • 3. Red Envelopes
  • 4. Leave Me In The Dark
  • 5. The Butcher
  • 6. Two Tickets And A Room
  • 7. I'll Stick Around
  • 8. Capital T
  • 9. A Place Like This
  • 10. Independence Day
  • 11. Already Dead [Live]
  • 12. Two Tickets And A Room [Live]
  • 13. Leave Me In The Dark [Live]
  • 14. The Whole World's Watching [Live]
Product images, including color, may differ from actual product appearance.