Tuesday, May 7, 2013

Are We Ready to Drill in the Arctic?

Are We Ready to Drill in the Arctic?
Note: This is a guest post from Marilyn Heiman who directs efforts to protect the U.S. Arctic Ocean for The Pew Charitable Trusts.
The recent grounding of a Shell oil rig near Alaska’s Kodiak Island may have been the biggest mishap of the 2012 Arctic drilling season, but it was hardly the only one. This past year, the exploration in America’s Arctic Ocean has been characterized by one problem after another, including the near grounding of a second rig and safety and engineering concerns that prevented deployment of a promised oil spill containment barge. Taken together, these missteps raise a serious question that goes beyond any single accident or, for that matter, any single oil company: is the United States ready to drill in such a remote and risky setting?
The most publicized of the season’s many incidents was the grounding of the drill rig Kulluk on New Year’s Eve in the Gulf of Alaska as it was being towed south through a fierce storm. The towing vessel’s engines failed, and the towline broke multiple times in 25-foot seas and 50 mile-per-hour winds.
As luck would have it, the grounding occurred within reach of the largest U.S. Coast Guard station in Alaska. Coast Guard helicopters evacuated the 18 crew members, a multi-agency team of 730 people oversaw efforts to free the grounded rig, and no oil was spilled.
But imagine if this incident had happened near the actual drill sites farther north in Alaska’s remote Chukchi and Beaufort seas, where Arctic conditions can be even harsher and distance from help is much greater. Hurricane-force winds, high seas, impenetrable fog and shifting sea ice are common. The region has no major roads, ports, or airports. The Coast Guard station at Kodiak is more than 1,000 miles away, and a response would be daunting.
America’s Arctic Ocean is central to the sustenance and culture of indigenous communities that have depended on its bounty for thousands of years. Its ice-covered waters support bowhead whales, Pacific walrus, ice seals, polar bears and other marine mammals found nowhere else in the United States. Its brief summers draw millions of migratory birds to feed and breed.
To protect this national treasure, the United States needs a comprehensive, science-based management plan that preserves traditional cultural areas and ecologically important habitats. Arctic-specific safety, spill prevention and response standards must be adopted to stand up to the region’s extreme conditions. As the past season showed, those standards aren’t in place.
Read More: See a timeline exploring Arctic drilling mishaps from 2012

Read more: http://www.care2.com/causes/are-we-ready-to-drill-in-the-arctic.html#ixzz2SeEuPtsL

Andy Biersack of Black Veil Brides Talks Fans and Golden Gods


By John Katic
The year is shaping up to be a impressive one for Andy Biersack and Black Veil Brides.
They’ve already released The Wretched and Divine: The Story of the Wild Ones, which debuted at No. 7 in the US; they’ve unveiled a motion picture, Legion of the Black, done two North American legs and one European leg of the Church of the Wild Ones tour — and they’re up for two Golden God awards.
Let’s not forget they’re also featured in the March 2013 issue of Guitar World, which you can check out here.
We recently sat down with Biersack, the band’s singer and founder, and got his thoughts on the Golden Gods. For more about this year’s Golden Gods awards, head here.
REVOLVER: Golden Gods-wise, you guys are up for an award in the Most Devoted Fans category. What makes your fan base so special?
I think, obviously, we are noted for having a very dedicated fan base. There is a visual, aesthetic part of it where you have the makeup and the costumes. The devotion of the BVB Army, with its very big online presence, is amazing. We’ve been fortunate from the very beginning. It was something that was really able to spur on our career.
When it came to record labels and management, people didn’t give a shit until the fans sort of forced our way into places. You can’t deny a band whose fans are so dedicated. You can’t deny a band whose fans will literally do anything to see them win the awards. We’re very appreciative to the fan base. That mutual feeling of appreciation is something that really helps.
Do you think part of it might stem from early on, especially with your “lyrics of the disenfranchised”? Do you think they struck a chord with fans who were preached to with pop music and that made you guys a great alternative?
Absolutely. The message of the band goes hand in hand with the fan base. We never made attempts to say we were anybody’s role model or the be-all-end-all of what people should look up to. We have always just been very open about the fact that we have difficulties and we are messed-up people just as our fans are. We kind of wanted to do it together with them. With that being said, the feeling of comradery between us and the audience has really always been there.
Bands talk about their audience bringing their kids to shows. Have you seen fans bring their parents along for the ride?
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad’s shoulders and the dad is singing along. You have the teenagers as well, of course. We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We’re the kind of band that can cross those lines.
True. You aren’t going to sound foreign to someone who grew up listening to a Motley Crue or a W.A.S.P. Your music has modern elements, but it isn’t going to turn off a listener who’s in his or her 40s or 50s.
Honestly, it boils down to songs. Good songs are always good songs. People can listen to a song by an artist such as a Van Halen, and no one in the room is going to go, “Oh, this is terrible.” Good songs cross those lines. Our focus on the record was to make them as good as possible, and those things will stand the test of time and relate to any audience. I’m not going to name any names, but we certainly have a lot of counterparts in bands that are popular, drawing well, selling well and are of the same age group as us. My point is always, where are the songs? What is memorable about this?
On the subject of songs, “In The End” is up for Song of the Year at the Golden Gods. If I remember correctly, that was the last track you did for the album. Did you have the complete concept of the album laid out at that point, and how did the story coincide with writing all the album’s lyrics?
It all started with a short story I wrote on a plane and then spiraled. I had two friends, Patrick Fogarty and Richard Millwood, who were very dedicated artists and friends of ours. When we got home, I gave it to them and told them about that story and said maybe we can do something with it. As a band we sort of dissected it and built the record out of it.
Do you write as a unit?
Every song has a different process. There will be some songs where it comes together right away and we’ll all be sitting around and know it. Then there are songs that take quite a while. A song like “Nobody’s Hero,” for example, took a lot of days of back and forth with our producer, John Feldman, with “The chorus should be more like this or that.” A song like “In The End” came together fairly quickly.
I think a lot of people overlook or are unaware of the fact that you are extremely talented musicians. You have a classically trained musician in the band and a guitar duo that’s reminiscent of Glenn Tipton and K.K. Downing of Judas Priest.
I think that is something we’ve always liked with that guitar duo. Even on stage, it’s sort of “classic” rock and roll.
Is there anyone in particular you’re listening to right now?
We are big fans of a band out of Europe called CRASHDÏET. They have come out to a bunch of our shows but haven’t toured much in the US just yet.

The Top 10 Reasons to Play Guitar

Right now, you are checking out a website for guitarists.
This means either you already play and are looking for a little vindication of your obsession, or you’re a beginner looking to find out whether you chose the right instrument. Well, here is every reason you need to quiet that little voice in the back of your head asking, “Why am I doing this?”
Anyway, here are the top 10 reasons to start playing guitar:
10. Mating
Boys, admit it. Whatever your purportedly purist goals were, you had visions of female affection racing through your mind when you figured out the riff to “Enter Sandman.” After all, it pays off when the fairer sex sees how well you can use your hands. Conversely, girls, though you often don’t get proper recognition as players, you automatically have the rapt attention of every male music-nerd who dreams of dating a guitar heroine.
09. Piss off Your Parents
Rebellion is a natural expression of individuality. Since several generations of adults were raised on rock music, it takes a bit of creativity to get under the folks’ skin. A gentle, new-age acoustic interlude could drive Slayer-loving parents bonkers. And if you want to get artsy, assembling a dozen friends to rehearse an atonal Glen Branca guitar symphony should do the trick.
08. An Alternative to the Sporting Life
Too short and skinny to play football? Pick up an axe. The average jock’s self-esteem — not to his mention knees — collapses shortly after high school. For guitarists, life just gets better, as there are years of gigs, jam sessions, and musical explorations ahead.
07. Improve Your Vocabulary
Learn the arcane meanings of common words like action, bridge, gauge, stack, shred, and pickup. Using their secret meanings around the square crowd might lead to embarrassing and potentially dangerous situations, but when you speak them around another guitarist, he will recognize you as one of the club and doors will open.
06. Be the Life of the Party
People are drawn toward guitarists in social situations — as long as those guitarists play (rather than talk about gear). It’s the guitarist’s responsibility to lead the campfire sing-alongs as well as make night club audiences gasp at ripping-good riffs or solos. Lamp shades and chicken buckets are optional.
05. Form a Band and Join the Circus
It’s a great way to meet friends and gain attention. If the combo is good, you could stay away from home for weeks at a time, eat a steady diet of fast food, associate with mentally unbalanced characters, get ripped off by club owners, and then return to a lousy job so you can save up money to do it all again.
Nietzsche.jpg
04. Head start on a Psychology or Management Degree
You’ve seen This Is Spinal Tap and The Commitments. Once in a band, you get to observe the twisted little minds of musicians. If you figure out how to make the insane drummer, egomaniacal singer, absent bassist, (ahem) insecure guitarist, and redundant yet snobbish keyboardist get along and show up for gigs on time, document it and put it on your college application. Dammit, sociologists get published for writing about musician subculture.
03. Versatility
You can’t play chords on a violin. You can’t slur notes on a piano. You can’t play counterpoint harmonies on a sax. Pete Townshend couldn’t have beaten up Abbie Hoffman at Woodstock if he had played bagpipes now, could he? It ain’t perfect, but the guitar has a vast range of musical possibilities for those who take the time to learn it well.
02. Slay Your Idols
OK, Nietzsche (pictured above), once you master “Eruption,” the next step is proving you’re faster than Yngwie, more inventive than Hendrix, and more athletic than Angus. You will dominate the guitar universe and lay your heroes to waste! Good luck. Don’t attempt to be a god. Strive for guru status, develop a cult of followers, and sell them instructional videos.
01. Enlightenment
If you wade though all the other reasons for playing and make it a lifelong activity, the realization will hit that you possess the gift of communicating with people through the sublime language of music. Ever walk away from a gig or a jam session and felt as if you had just been in another world because your playing was so good? That’s the ticket to nirvana, brah.

Teaching Kids About Sex: The Dos and Don'ts


When Krista M. was young, her mom never had "the sex talk" with her, and as a result, she says she "learned bits of misinformation from friends and in school." The whole experience left her mortified. Like many Circle of Moms members raised in homes where conversations about the birds and the bees were taboo, she’s “committed to approach sex education in a much more healthy way” with her own daughter.
But that’s not always easy to do in today’s environment. Some schools have started distributing condoms as early as first grade, and reality TV and the Internet bring sex into children’s bedrooms via their computer and TV screens, many Circle of Moms members like Jillian J. point out. "I had to talk to my 9-year-old recently because a classmate told her she should check out a Web site about sex," she says. Similarly, Mandy W. notes that her 10-year-old daughter is "starting to talk about the sex she’s seeing on TV." Turning to Circle of Moms members for advice, Mandy asks, "What age do you think it is acceptable to discuss the facts of life with your daughter?"
With kids talking about sex earlier than ever, it's not easy to know the right time to talk to kids about sex — or the most appropriate way to do it. To help, other moms have shared five key pieces of advice.
Keep reading to find out their biggest dos and don'ts. 
1. Don't Wait Until They're Teens
The birds and the bees talk isn’t just for teenagers, recommend Circle of Moms members like Annmarie A. She encourages moms to start when kids are young (she started when her daughter turned 6) and be intentional about what they are teaching their children about sex. "Sex is an ongoing conversation I have had with my daughter from the very beginning," she says about her 14-year-old daughter. "I gave her info as age-appropriate as was necessary at each stage. I told her my number one priority was her health."
Cindy S. also feels strongly that it's important to take the initiative with the sex talk and not wait until your child is a teenager in the throes of a sexual relationship. "The right time is as soon as they start asking questions," she insists, "because it keeps the lines of communication open." Cindy also adds that she's glad she talked to her daughters early, because by the time they were in fifth grade their classmates were already talking to them graphically about sex. Because she already had the talk, her daughter felt free to have a candid conversation with her mom: "Luckily, my daughter came home and talked to me about it. We had a nice discussion about sex at that point." Cindy' older daughter is still open with her, too: "My eighth grader has talked to me about some of her classmates having sex. I love the fact that she is still comfortable openly talking to me about it."
2. Do Take the Initiative
Don’t leave condoms and conversations to the schools, say many Circle of Moms members. Tiffany V. insists that it’s a parent’s job, not the schools', to teach kids about sex: "I think as parents we have to step up and talk to our children about sex. My mother bounced around the subject of sex with me because she was uncomfortable and I vowed to never be that way. When my children are old enough we will begin our sex talks and I plan on informing them in every way possible about safe sex, STDs, and pregnancy. . . . I want them to be able to make an informed decision and know how to protect themselves when the time comes."  Stephanie S. agrees: "I'm not saying that sex ed shouldn't be taught in schools, but I do agree that a lot of parents are leaving it up to everybody else to teach their children."
Other moms are more skeptical about whether or not sex education should even be taught in schools. Kayla P. believes sex education should be taught in the schools only as a last resort, and says it’s better for children to get the facts somewhere if their parents haven’t had "the talk." But she feels strongly that parents — and not schools, need to take the initiative in teaching sex education to their kids. "Many parents say they don’t have the time and are too busy to talk to their children, but if they don’t do it, only then should schools step in," she says. "If their parents aren’t around, then I think certain topics about sex should be taught in public schools."
3. Do Research the School Curriculum
Some moms are also skeptical about whether or not sex education should even be taught in schools, and even more specifically, about whether school curriculums should include information about contraception. When a school in Massachusetts announced they would be providing condoms to kids in first through twelfth grades,  Circle of Moms members like Sherri C. were very upset. "I would go through the frigging roof if my kids’ school did this," she declares. Tammy F. is particularly upset that a school was dispensing condoms to such young children: "First grade is a bit ridiculous." To avoid being surprised by what your child learns at school, be proactive in researching what the school plans to teach.

4. Don't Nickname Private Parts or Talk in Vague Terms
Giving private parts cartoon-like or inappropriate names isn’t exactly a lesson in realism, say Circle of Moms members like Jenna R. Using the correct terms for body parts helps to create a level of comfort instead of shame, she adds. "Tell them straight up. Don't hide it, but don't get too graphic either. Be blunt and honest," she says. Being frank and direct is the natural and right way to teach kids about sex, says Circle of Moms member Kattia P. "We use the correct terms for body parts," she says. "If they come to us with questions we give what we feel is the correct age-appropriate response. More often than not kids are just looking for a simple answer not a biology lesson."
5. Do Make Sexual Education an Ongoing Process
"The talk," shouldn’t be a one-time conversation, but instead an ongoing process, say Circle of Moms members like Julie N. She started teaching her now 12-year-old at 8 years old. "I have just answered her questions as they arose," she says. "I think what we all need to remember is that the facts of life is not just about sex, it is about growing up and all the things that happen to us physically and emotionally."
How did you handle the sex talk with your children?