Sunday, April 28, 2013

Help Save Pangolins

Help Save Pangolins
  • signatures: 69,067

  • signature goal: 100,000
  • Target: Government of China PR
  • Sponsored by: Tom
Pangolins, often called "scaly anteaters" are covered in tough, overlapping scales. These burrowing mammals eat ants and termites using an extraordinarily long, sticky tongue, and are able to quickly roll themselves up into a tight ball when threatened. Eight different pangolin species can be found across Asia and sub-Saharan Africa. Poaching for illegal trade in Asian pangolins and the destruction of their habitat has made these remarkable scaled animals one of the most endangered mammal groups in the world.

Pangolins are hunted for food, for use in traditional medicine and as fashion accessories, and for a rampant illegal international trade in scales, skins, and meat. There is high demand for nearly all of their body parts, principally from China. The large-scale illegal trade in Asian pangolins is drastically driving down their numbers throughout Southeast Asia. Rapid loss and deterioration of available habitat places added pressure on the dwindling numbers of... more

Am I a Whale Killer?

Am I a Whale Killer?
The season for cruise ship vacations has arrived. I just got back from my very first cruise, and I brought with me a troubling question: just how much environmental damage did that ship cause? How much marine life did we kill?
My boat carried 2,800 passengers and 1,100 staff people and crew. It was 965 feet long. It is hard to fathom how big this thing was. You would not want to see it coming at you.
Periodically we would feel the ship hit something. I fervently hoped that we had hit a swell in choppy waters and not a dolphin or something.
Ship Strikes, Or Death by Pleasure Cruise
The International Whaling Commission reports that “Many species of whales and dolphins can be vulnerable to collisions with vessels, or”ship strike.”
Collision with a ship usually results in injury or death for the whale. Records show that as many as five blue whales are killed by ships every year, and many more deaths likely go unrecorded because blue whales are negatively buoyant and sink when they die. The annual mortality could be as high as dozens of whales, which constitutes a significant threat to this subpopulation and possibly to the entire species.”
In one incident, a ship impaled a whale on its bow unbeknownst to the crew, who discovered its body only two days later.
Sometimes ships hit endangered animals like North Atlantic Right Whales, whose numbers are down to 300-400. This species is particularly vulnerable because of “their slow movements, time spent at the surface, and time spent near the coast.”
Water Pollution
The Environmental Protection Agency issued a Cruise Ship Discharge Assessment Report that Friends of the Earth summarized: “cruise ships produce an average of 21,000 gallons per day of sewage and 170,000 gallons per day of raw graywater (which can contain as much bacteria as sewage [plus oil and grease]).” They are dumping this crap into “some of our most pristine and wild places,” which of course is where people want to go on cruises.
Friends of the Earth also produces its own scorecard for cruise lines. They measure “sewage treatment, air pollution reduction, water quality compliance and accessibility of environmental information.” Their conclusion: “cruise lines are doing less than they can to limit the environmental impacts of their ships.” A company called Crystal Cruises earned an F “due to the absence of advanced sewage treatment systems on their ships and the inability to utilize shoreside power via plug-ins at equipped ports.” No advanced sewage treatment systems means they are dumping foul things straight into the water. Eww. Not using shoreside power means they are burning low-grade diesel even when electricity is available.
The crud cruise ships dump into the water includes bacteria and viruses, which “can sicken and kill marine life, including corals.” I feel disproportionately guilty about that one, since I had a nasty upper respiratory infection for the first few days of the cruise. I was careful to isolate myself from people who could catch it but never considered that my germs could do damage after they went down the drain.
Air Pollution
On a typical seven-day cruise to the Caribbean, the ship emits the equivalent of one ton of carbon dioxide per passenger, which is about what that individual would produce in 18 days on land.
The massive QE2, which is no longer operating, had mileage that would send shoppers into conniptions if they saw it on a car they were considering buying: 49 feet per gallon. Yes, feet. According to the Nature and Biodiversity Conservation Union, cruise ships “emit particle pollution equivalent to 5 million cars driving the same distance as the cruise ship travels, and that the 15 largest cruise ships emit as much sulfur dioxide pollution annually as all 760 million cars in the world.” (Other sources say there are more like one billion cars on the road than 760 million.)
Am I A Whale Killer?
Given statistics like the annual whale strike number of between five and dozens, it is unlikely that my boat hit multiple whales a day. It is much more likely that what we encountered was the maritime equivalent of air turbulence. But I certainly did my part to pollute that beautiful blue water.

Read more: http://www.care2.com/causes/am-i-a-whale-killer.html#ixzz2RmgEWfOY

Saturday, April 27, 2013

Success! Bear Sanctuary Saved

Success! Bear Sanctuary Saved
Great news, Care2 members – thanks to your unflagging support and the hard work of Animals Asia, moon bears at the Vietnam Bear Rescue Centre no longer risk losing their permanent home.
An eviction date loomed over the sanctuary back in October, 2012, but now the Vietnam Bear Rescue Centre has gotten a reprieve. Prime Minister Nguyen Tan Dung recently announced that the current sanctuary in Vietnam will remain open, serving 104 bears formerly saved from the illegal bear bile industry.
Additionally, the second stage of the Centre’s construction now has the go ahead to begin. The Centre, which Animals Asia has invested more than $2 million to complete, will give the sanctuary a better opportunity to rehabilitate bears and gather evidence of the damage caused by bile extraction. The reprieve also means that 77 Vietnamese staff members will keep their jobs at the sanctuary.
The continued operation of the rescue center is an essential part of a larger goal set by Animals Asia to increase public awareness about the bear bile industry and ultimately eliminate bear bile farming altogether. The industry currently uses more than 2,400 moon bears, sun bears and brown bears in Vietnam, while an additional 10,000 live on similar farms in China.
Founder and CEO of Animals Asia Jill Robinson MBE explained that outside activism has played a significant role in Animals Asia’s mission to get these bears to safety: “Our priority has been to rehabilitate these bears after their years of trauma from being locked up in small cages and milked for their bile. If we had been forced to relocate it would have had a terrible impact on their wellbeing. We want to sincerely thank the tens of thousands of supporter from around the world who wrote letters, sent e-mails and signed petitions calling for the eviction to be stopped.”
Vietnam Animals Asia Director Tuan Bendixsen also gave his thanks: “We are very grateful to the Prime Minister for his commitment to the bear rescue centre. We look forward to working with the government to end bear bile farming and help conserve bear species.”
Animals Asia promises to continue their efforts to shut down bear bile farming in Vietnam and China while funding and running sanctuaries. Thank you to everyone who helped make this achievement possible!

Read more: http://www.care2.com/causes/success-bear-sanctuary-saved.html#ixzz2RhmNd13f

The Secret Lives of Penguins

The Secret Lives of Penguins
Most of the time, when you hear about a penguincam, it’s for our pleasure; conservation parks, zoos and aquatic facilities across the world kindly put their penguins on livestream for the viewing delight of visitors from around the world who just can’t get enough of these adorable birds. But one set of Japanese researchers decided to turn penguins from the subjects to the filmmakers, mounting cameras on the heads of penguins to see what life was like from their point of view. What they found was pretty amazing, and yes, of course they released some footage! (Be aware, penguins aren’t the steadiest of camerabirds.)
First, the specifics: the super-light — only one ounce (33 grams) — cameras had depth gauges and accelerometers to allow the research team to determine where the penguins were and measure their rate of movement. The cameras helped them identify what Adelie penguins eat, and, notably, they showed researchers that the penguins actually switch up their hunting style depending on their prey, which illustrates that they distinguish between different types of prey species and have specific hunting strategies.
They can snap up two krill in less than a second, which is pretty amazing, but this isn’t the only find from the footage, which also helped researchers understand how much the penguins need to eat to stay healthy, and where they do the majority of their hunting. Continuous headcam footage provided insight into how the birds live their daily lives, and the wealth of data will be valuable for understanding Adelie populations, contextualizing information from prior studies, and developing effective conservation programs focused on the birds.
The video also shows that the feisty birds are specifically adapted to hunt the animals that live just under sea ice, highlighting the importance of their habitat. They can’t survive just anywhere, and are in fact part of a delicate ecosystem that relies on sea ice for survival. While they’re fast, sleek, and amazing to watch underwater now, as pack ice starts to melt, their numbers could dwindle. That would be bad news for the birds, who need large numbers to stay sufficiently genetically diverse.
But enough talking. You want to see penguins already, right?

I think we can agree that seeing Adelie penguins rocking out in the wild is way better than watching them in a zoo on a livestream, so let’s make sure they always have a place to call home!

Read more: http://www.care2.com/causes/the-secret-lives-of-penguins.html#ixzz2Rhm0aA95

Thursday, April 25, 2013

NAMM 2013: Schecter Introduces Hellwin Series Amps by Synyster Gates of Avenged Sevenfold

Schecter Amplification has introduced its new Hellwin series of guitar amps, a collaboration between Avenged Sevenfold guitarist Synyster Gates and Schecter.
The Hellwin USA 100 is the initial entry in the Hellwin series, a line of products that Schecter Amplification plans to bring to market with Gates over the coming years.
[[ Keep up with Guitar World's NAMM 2013 coverage right here! ]]
"As soon as we started building amps, working with Synyster on his own designs seemed like a natural step after the nearly 10-year relationship we have shared," said Schecter Executive Vice President Marc LaCorte.
"After years of trying to get all of the tone, playability and versatility I wanted in an amp, I turned to my friends at Schecter and legendary amp designer James Brown. Together we have created Hellwin, a line of amps engineered to sound and perform at the highest level whether you're on the big stage or in your garage," Gates added.
The first amp in the Hellwin series is the Hellwin USA 100, a custom-designed, all-tube model. Working in conjunction with amplifier guru James Brown, Gates set out to design an amp that not only captured his unique tone, but also would prove to be an important asset to players of all styles in their studio and live work.
About the Hellwin USA 100 Amplifier:
• Made in U.S.A.
• A collaboration between Synyster Gates and Schecter Amplification
• Co-created with renowned amp designer James Brown, the Hellwin has rich bloodlines and is destined to be a rock classic.
• 100 watt / All Tube Design (MIDI Switchable)
• Three Channels w/ Independent EQ and Gain Boost
• Front Panel Custom Noise Gate
• Innovative Active/Passive inputs
• 4 position 'Focus' Control
Matching 4x12 Speaker Cabinets are also available:
• Four Celestion Vintage-30 Speakers 16ohm
• Baltic Birch Solid Construction
• Mono or Stereo
• Angle and Straight design
For more information, visit schecterguitars.com.
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Andy Biersack of Black Veil Brides Talks Fans and Golden Gods


By John Katic
The year is shaping up to be a impressive one for Andy Biersack and Black Veil Brides.
They’ve already released The Wretched and Divine: The Story of the Wild Ones, which debuted at No. 7 in the US; they’ve unveiled a motion picture, Legion of the Black, done two North American legs and one European leg of the Church of the Wild Ones tour — and they’re up for two Golden God awards.
Let’s not forget they’re also featured in the March 2013 issue of Guitar World, which you can check out here.
We recently sat down with Biersack, the band’s singer and founder, and got his thoughts on the Golden Gods. For more about this year’s Golden Gods awards, head here.
REVOLVER: Golden Gods-wise, you guys are up for an award in the Most Devoted Fans category. What makes your fan base so special?
I think, obviously, we are noted for having a very dedicated fan base. There is a visual, aesthetic part of it where you have the makeup and the costumes. The devotion of the BVB Army, with its very big online presence, is amazing. We’ve been fortunate from the very beginning. It was something that was really able to spur on our career.
When it came to record labels and management, people didn’t give a shit until the fans sort of forced our way into places. You can’t deny a band whose fans are so dedicated. You can’t deny a band whose fans will literally do anything to see them win the awards. We’re very appreciative to the fan base. That mutual feeling of appreciation is something that really helps.
Do you think part of it might stem from early on, especially with your “lyrics of the disenfranchised”? Do you think they struck a chord with fans who were preached to with pop music and that made you guys a great alternative?
Absolutely. The message of the band goes hand in hand with the fan base. We never made attempts to say we were anybody’s role model or the be-all-end-all of what people should look up to. We have always just been very open about the fact that we have difficulties and we are messed-up people just as our fans are. We kind of wanted to do it together with them. With that being said, the feeling of comradery between us and the audience has really always been there.
Bands talk about their audience bringing their kids to shows. Have you seen fans bring their parents along for the ride?
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad’s shoulders and the dad is singing along. You have the teenagers as well, of course. We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We’re the kind of band that can cross those lines.
True. You aren’t going to sound foreign to someone who grew up listening to a Motley Crue or a W.A.S.P. Your music has modern elements, but it isn’t going to turn off a listener who’s in his or her 40s or 50s.
Honestly, it boils down to songs. Good songs are always good songs. People can listen to a song by an artist such as a Van Halen, and no one in the room is going to go, “Oh, this is terrible.” Good songs cross those lines. Our focus on the record was to make them as good as possible, and those things will stand the test of time and relate to any audience. I’m not going to name any names, but we certainly have a lot of counterparts in bands that are popular, drawing well, selling well and are of the same age group as us. My point is always, where are the songs? What is memorable about this?
On the subject of songs, “In The End” is up for Song of the Year at the Golden Gods. If I remember correctly, that was the last track you did for the album. Did you have the complete concept of the album laid out at that point, and how did the story coincide with writing all the album’s lyrics?
It all started with a short story I wrote on a plane and then spiraled. I had two friends, Patrick Fogarty and Richard Millwood, who were very dedicated artists and friends of ours. When we got home, I gave it to them and told them about that story and said maybe we can do something with it. As a band we sort of dissected it and built the record out of it.
Do you write as a unit?
Every song has a different process. There will be some songs where it comes together right away and we’ll all be sitting around and know it. Then there are songs that take quite a while. A song like “Nobody’s Hero,” for example, took a lot of days of back and forth with our producer, John Feldman, with “The chorus should be more like this or that.” A song like “In The End” came together fairly quickly.
I think a lot of people overlook or are unaware of the fact that you are extremely talented musicians. You have a classically trained musician in the band and a guitar duo that’s reminiscent of Glenn Tipton and K.K. Downing of Judas Priest.
I think that is something we’ve always liked with that guitar duo. Even on stage, it’s sort of “classic” rock and roll.
Is there anyone in particular you’re listening to right now?
We are big fans of a band out of Europe called CRASHDÏET. They have come out to a bunch of our shows but haven’t toured much in the US just yet.
Black Veil Brides have a few more dates in the US before taking the Church of the Wild Ones tour to Europe for April. The band returns home to the US to be part of the Vans Warped Tour, which runs all summer long. Keep up with their current tour dates at officialbvb.com.

Monday, April 22, 2013

The entire community should collaborate to ensure that families have access to and eligibility for supports and services that address basic needs including food, clothing, housing, employment, financial resources, mental health and substance abuse, education, health care and transportation. 
This vision comes from The CWLA National Blueprint, a new set of overarching standards for all individuals, organizations, and communities that unify the existing programmatic CWLA Standards of Excellence. The CWLA National Blueprint recognizes that responsibility for the well-being of children and youth begins with their families, and extends beyond traditional child welfare organizations and services. Everyone—families, communities, providers, and organizations—has a responsibility for ensuring the safety, permanency and well-being of all children and youth. The document raises the bar for everyone caring  for and about children and youth. It is intended to be a foundation upon which families, communities, providers, and other organizations can create the greatest opportunities for all children and youth to succeed and flourish.
The CWLA National Blueprint for Excellence in Child Welfare will be released during CWLA's upcoming annual conference on April 14-17th, and inspires the conference theme, Making Children and Families a Priority: Raising the Bar.
In anticipation of the document's release, stay tuned for a series of quiz questions related to The CWLA National Blueprint's vision, principles and guidance for the future of child